So yesterday I went on a solo mission, and jugged the first 11 pitches, on Napoleon's epic (and I mean EPIC) fixed line. I drilled a variation (which will remain secret for now), removed the white fixed line from p11 and p10.
I added one bolt to P10 (the "munge traverse"). There is a cam placement near the bolt, but when I whacked it with the crowbar, i got that hollow whoomping sound that makes me head for the shitter. So now that 5.5 pitch is no hassle at all. This pitch is kinda dirty, but I left it. It is 5.5, all the trees etc have been chopped, no hassle route-finding, etc. We have this pitch, and the traverse that starts 2 pitches higher, which are "natural" so to speak, and we left these more or less as-is. HOWEVER...rest assured, if you climb the route, all of the technical stuff is clean. You will not be placing cams in muck.
I moved Napoleon's epic fixed line away from the start of P3 with one discreet bolt. Once his fixed lines come down, nobody will ever see that bolt again. So if you are up there climbing the route, you will see the fixed lines, but you will not actually be near them (except on the p7 bolt-ladder).
On P11, I cleaned up one edge of the wide-crack section and cleaned out a few placements opposite the wide crack (some wide stemming is possible for the tall and the flexible among us). Now, about the wide-crack section:
After the first ascent, Driller and I debated adding another bolt to this pitch. As it is, I used 1x #2, 3, 4, and 5 Camalot in that corner, in that order, before I got to the bolts I had drilled. We had installed two bolts, because, if we hadn't, you would have needed 2x #5 Camalot and at least 1x #6 Camalot to safely climb it, making for an epic rack. I am satisfied with our decision, in much the same way that Perry Beckham was satisfied with having put bolts on Perry's Lieback on the Grand Wall: if he hadn't, you would have needed to haul 5 #6s up there, which would have been not only a pain in the ass for hardmen, but a buzz-killer for everybody else. Now, the hard-assed tradmasters might complain-- "hey, they don't do that in the Valley"-- but those people can go to the Valley, and climb the off-width pitch on Freerider (5.11d) at 40m with two cams.
As it stands now, you put in a bomber #4, then, six feet higher, a bomber #5 (which you can easily move up as you go) for ten feet, and then you clip the first bolt. After we climbed the pitch, we debated the grade. Compare those 15 feet to Split Beaver (5.10b) in the Bluffs. This is wider, but MUCH lower-angled than the Beaver. Plus, you are gunning for a bolt, and the thing can be liebacked, and you can get a stem rest off the crack to the right. Plus the crux is shorter than the Beaver. So we think 10bish is the grade, and it doesn't need any more bolts.
On the ground, I cleaned up the arete that is to the immediate right of the v-groove. I added one bolt to this and knocked off some loose rocks. If the V-groove (a tricky, cool start) is ever wet, you can scramble up the arete (at 5.7), clip a bolt, go 10 feet higher, and step across onto the route and good gear placements.
Finally I hauled out most of the garbage, and the 100m of old static line that Ben Roy donated to us. It felt oddly anticlimactic, working on the route after having done the first ascent with the Driller.
I am now hoping folks climb it! As of today there is a week of dry weather, the route is shaded so it's great hot-day excursion, even the "wet like your wife" pitch is dry...go do it!
Showing posts with label Chris Stolz. Show all posts
Showing posts with label Chris Stolz. Show all posts
Thursday, July 15, 2010
Tuesday, July 13, 2010
one-page topo for your climbing convenience
So Jeremy Frimer, aka the Squampton Janitor, is back from Peru. Having spent a month dong alpine routes, he is now something like a Tyrannosaurus Rx, with massive legs, and tiny arms. This also means that he is perfectly suited to making a nice topo of the route...so thanks Jeremy!
You can print this out and take it with you-- it should fit onto one computer-printer page. FCA Dylan Connelly & Chris Stolz July 11, 2010. FA many individual pitches: Mike Blicker, Dylan Connelly, Chris Stolz, Ian Bennett (P1). FCFA (whole thing at 12+(?))...maybe Mike Blicker, Aug 2010...
You can print this out and take it with you-- it should fit onto one computer-printer page. FCA Dylan Connelly & Chris Stolz July 11, 2010. FA many individual pitches: Mike Blicker, Dylan Connelly, Chris Stolz, Ian Bennett (P1). FCFA (whole thing at 12+(?))...maybe Mike Blicker, Aug 2010...
Pics from the send day
OK...if my computer skills are functional, I should be able to put these into order. get ready to enjoy a LOT of pictures of The Driller. Sorry, ladies, he is not single.
Here is the Driller on P1. A this point, you can go straight up, into an 11b lieback (first freed by Ian Bennet, onsight), or you step slightly left and do the 10d bolts + gear undercling. You can also see the v-groove that starts the route. If it is wet, simply scramble up the arete that makes up the v-groove's right side. V-groove was cleaned by Tony McLane.
Here, Driller has just finished the fingery 11b crux. This pitch has a 5.8 move to start past a fixed nut. After that, you have about 10m of 11b (bomber gear) which could be EASILY French-freed-- two fingery moves, then a solid handjam or lock.
After the P5 dihedral bolt ladder, here is Driller setting out across the Green Line Ledge-- at 5.6 or so, easy and has wild exposure. he will then go up the bolt ladder that bypasses the 5.12+ "Wet Like Your Wife" pitch.
This is the Driller pulling the crux mantle on P8. This pitch features swinging from trees, wild and airy balancing between a rock-rib and a hanging flake, and an exposed mantel-- very cool!
Here is me atop P8, with the Badge in the background.
At one point, before the slabby traverse, asked the Driller for a purple Camalot, and he offered me some choices...
Here, in the gathering gloom, Driller finishes P15 (5.8). It was a pleasant surprise: this pitch is only 5.8, and has superb exposure. It's also given us new ideas about other finishes in the enormous v-slot...
And finally this is us at the top. We topped out at 10 PM exactly, so 17 pitches took 12 hours exactly. Now...readers...go climb it, and send us some pictures!
Here is the Driller on P1. A this point, you can go straight up, into an 11b lieback (first freed by Ian Bennet, onsight), or you step slightly left and do the 10d bolts + gear undercling. You can also see the v-groove that starts the route. If it is wet, simply scramble up the arete that makes up the v-groove's right side. V-groove was cleaned by Tony McLane.
Here, Driller has just finished the fingery 11b crux. This pitch has a 5.8 move to start past a fixed nut. After that, you have about 10m of 11b (bomber gear) which could be EASILY French-freed-- two fingery moves, then a solid handjam or lock.
After the P5 dihedral bolt ladder, here is Driller setting out across the Green Line Ledge-- at 5.6 or so, easy and has wild exposure. he will then go up the bolt ladder that bypasses the 5.12+ "Wet Like Your Wife" pitch.
This is the Driller pulling the crux mantle on P8. This pitch features swinging from trees, wild and airy balancing between a rock-rib and a hanging flake, and an exposed mantel-- very cool!
Here is me atop P8, with the Badge in the background.
At one point, before the slabby traverse, asked the Driller for a purple Camalot, and he offered me some choices...
Here, in the gathering gloom, Driller finishes P15 (5.8). It was a pleasant surprise: this pitch is only 5.8, and has superb exposure. It's also given us new ideas about other finishes in the enormous v-slot...
And finally this is us at the top. We topped out at 10 PM exactly, so 17 pitches took 12 hours exactly. Now...readers...go climb it, and send us some pictures!
Monday, July 12, 2010
The send!
Two years.
$1100.
65 man-days
3 pairs of pruning shears.
1 new rope.
10 fixed lines of varying lengths
1 almost-broken shin
Several hundred cups of coffee
Three near-death experiences
80 bolts
7 chopped bolts
None of this was in my mind as The Driller and I, at the crack of ten, left our little car on the Mamquam, giggled as we shoved headlamps into pockets, and ducked into the forest. Ahead of us lay more like a set of hypotheses to be tested: pitch X was 5.10a, confirm or deny; there were too many bolts on Pitch Y, confirm or deny.
It was a sweltering day, and, well let's not screw around-- blow-by-blows are bring, so here's the highlights. The route goes at 11b A0. You could reduce the grade further by French-freeing the first 15m of P3. We FINALLY sent P3. P8-- the "death block" pitch-- is 11a and may want another bolt. At one point as I was madly grasping at no-falling straws, Driller yelled "LEFT SIDE!" and I realised he was telling me where my chalk bag had rotated to. Now THAT is attentive belaying.
P11 went with one #5 Camalot, but may want another bolt. P14 has one hard 11a move (aidable) and may want another bolt. Driller began madly pawing the rest of my precious water as the cedars turned warmish yellow and the skies deepened in colour. The first ascent's great surprise was that P15-- the undercling-- is not only one of the nicest pitches (great position, hanging right over the entire route) but alos the easiest, at 5.8! The final V-slot pitch-- 55 meters-- took everything I had. Dehydrated, exhausted and deeply concerned that we wouldn't make Starbucks' closing time, I injdulged myself with a whole lot of stemming trickery and self-pitying grunts and made it up the awesome 10c pitch.
We topped out at 10pm exactly. 16 pitches, one 60-meter 5th-class scramble in the dark, and one utterly quiet Second Summit, wind whistling and stars mixed with glowing clouds, and the first ascent of La Gota Fria was complete.
I am still too fried to say anything much...except, thanks to the Driller, Napoleon, Mom, Larisa and Jen, and of course...GO CLIMB OUR ROUTE!
$1100.
65 man-days
3 pairs of pruning shears.
1 new rope.
10 fixed lines of varying lengths
1 almost-broken shin
Several hundred cups of coffee
Three near-death experiences
80 bolts
7 chopped bolts
None of this was in my mind as The Driller and I, at the crack of ten, left our little car on the Mamquam, giggled as we shoved headlamps into pockets, and ducked into the forest. Ahead of us lay more like a set of hypotheses to be tested: pitch X was 5.10a, confirm or deny; there were too many bolts on Pitch Y, confirm or deny.
It was a sweltering day, and, well let's not screw around-- blow-by-blows are bring, so here's the highlights. The route goes at 11b A0. You could reduce the grade further by French-freeing the first 15m of P3. We FINALLY sent P3. P8-- the "death block" pitch-- is 11a and may want another bolt. At one point as I was madly grasping at no-falling straws, Driller yelled "LEFT SIDE!" and I realised he was telling me where my chalk bag had rotated to. Now THAT is attentive belaying.
P11 went with one #5 Camalot, but may want another bolt. P14 has one hard 11a move (aidable) and may want another bolt. Driller began madly pawing the rest of my precious water as the cedars turned warmish yellow and the skies deepened in colour. The first ascent's great surprise was that P15-- the undercling-- is not only one of the nicest pitches (great position, hanging right over the entire route) but alos the easiest, at 5.8! The final V-slot pitch-- 55 meters-- took everything I had. Dehydrated, exhausted and deeply concerned that we wouldn't make Starbucks' closing time, I injdulged myself with a whole lot of stemming trickery and self-pitying grunts and made it up the awesome 10c pitch.
We topped out at 10pm exactly. 16 pitches, one 60-meter 5th-class scramble in the dark, and one utterly quiet Second Summit, wind whistling and stars mixed with glowing clouds, and the first ascent of La Gota Fria was complete.
I am still too fried to say anything much...except, thanks to the Driller, Napoleon, Mom, Larisa and Jen, and of course...GO CLIMB OUR ROUTE!
La Gota Fría 18p 5.11b A0 (5.12d)
La Gota Fría
18p 5.11b A0 (5.12+)
Deputy Wall, Squamish, BC
FCA Dylan Connelly & Chris Stolz July 11, 2010; other pitches FA individually by Ian Bennett, Mike Blicker, Dylan Connelly, Chris Stolz
This long, mostly free route is characterised by excellent protection, good positions, a wide variety of good climbing and a superb finish. All pitches except #13 have bolted belays. The route is dry May-Sept. P3 and 5 can be easily French freed; P7 has a bolt-ladder bypass.
Thanks to Ian Bennet, Jeremy Frimer, Myles Holt, Kevin McLane, Tony McLane, Paul Cordy, Sebastian Mejia, Kasper Podgorski, Rob Owens, Ben Roy, Scott Semple, and our girlfriends Larisa O. and Jenn N.
THE SOUNDTRACK: Carlos Vives sings Emiliano Zuleta's "La Gota Fría"
GEAR: double Camalots from .3 to #3, 1x #4 and #5 1 Blue Aliens and/or TCU, nuts, long slings.
APPROACH: take the Sheriff's Badge trail. About 30 meters before the Philistine groove area, turn right (cairn and piece of shoelace hanging from tree branch). Head up a faint trail to a slab, go to climber's left up and around the slab, and head past bits of fixed ropes to a short, clean obvious v-groove beside which hangs a blue rope.
P1: 35m 5.11b or 5.10d Climb the obvious v-groove. Then, either
a) lieback the crack (11b) to the tree, another bolt, and the belay
b) go left, past 3 bolts (10d) to the tree, another bolt, and the belay
If P1's V-groove is wet, scramble up the short arete on its right side and step over (5.7)
P2: 5.9 40m Go up two meters to a ledge, right to a tree tree stump, and straight up into a flake-crack. Pass a tree, step right onto a ledge. Traverse right past bolts.
P3: 30m 5.11b Up the superb fingers-to-hands crack. Easily French-freed.
P4: 30m 5.10c Straight up the hand-and-fist crack to a ledge.
P5: 20m 5.9 A0 or 5.12c/d Straight up the perfect dihedral past bolts to a two-bolt belay. Very easily aided.
P6: 25m 5.4 Traverse the ledge right to a two-bolt belay.
P7: 25m 5.12+ Up and left into burly underclinging and jamming with sketchy feet on good gear to a bolted stance by an old fragment of tree. Airy, wild, sustained and superb. often wet.
P7 BYPASS: 45m A0 From the station atop P5, traverse along the Green Line Ledge and climb the bolt ladder that starts about 2/3 of the way across, straight up to the belay atop P7. Bring a #2 or #3 camalot for last move.
P8: 20m 5.11a Use bolts and trees to get to the base of an inverted V-slot, with a hanging flake in it. Then, either
a) do some crazed-ape moves involving funky stemming, put gear atop the flake then wildly mantle over the lip, to two bolts and left to the belay
b) do some exposed moves up and left, then pass finger and hand jams
P9: 25m 5.10a From an airy stance, up the nice corner.
P10 20m 5.5 Crap pitch: traverse right past a few bolts ans some trees and bushes then up to a belay at the base of a nice corner.
P11 25m 5.10b Climb the fine widening corner past 2 bolts to a ledge.
P12 5.10b 30m Cross to the right side of the ledge, then go up the left side of chimneyish blocks to a bolt. Go straight up past more bolts and gear, exit right, to a ledge.
P13 35m 5.10b Straight up to under the roof, then make a slabby traverse (one reachy move) left past bolts and a final short crack to a tree belay.
Traverse left through the forested ledge about 30m.
P14 25m 5.11a Climb a blocky right-trending feature to a crack in a shallow left-facing corner, then pass 4 bolts.
P15 25m 5.8 Climb up the left side of the huge yellow flake, then undercling left underneath the enormous roof through an awesome position to the bottom of the gigantic V-slot.
P16 45m 5.10c/d Climb up the right side of the massive V-slot through the steepening crack to a ledge, then up left through a couple of thin crack moves past one bolt to belay off a tree. A superb pitch in an awesome position in a cool feature.
P17 30m 5.8 From the top of the V-slot, make your way about 10m to climber's right to a 2-bolt belay. About 3m right of this, start up a very easy left-leaning crack. At the first tree, step up and right onto the slab and go up and slightly right. There is one .4 camalot placement, and just past a tiny overlap there is 1 bolt. Past this move up and right to a dirty crack, and belay off a lone tree on the left.
P18 30m 5.8 Make your way up any # of treed cracks or the slabby face to a two-bolt belay
Alternative end: from the bolted belay at the bottom of P17, follow the wooded crack up in a long leftward arc (58m) to the top-- a couple of 5.6 moves.
RETREAT: The route can be easily rappeled with one 60m rope from the top of P12. From the top of P8, rap straight down to the Green Line Ledge, then down and left to the top of P4. From the top of P2, rap 30m to a station, then 25m to the ground.
COMBINE PITCHES: Green Line Ledge and bolt ladder easily combine (40m)
P9 & 10 would be about 50 m, very easy; use long slings for rope drag at station atop P9
WHAT REMAINS...Connelly & Stolz freed "Fría Lite." "Fría Heavy" will involve freeing the P5 dihedral and the P7 "Wet Like Your Wife" overhanng.
THE ROUTE NAME: "La Gota Fría" is a song by Colombian vallenato master Emiliano Zuleta, and was famously covered by Carlos Vives. La gota fría literally means "a cold drop." Metaphorically, it means (a) a sudden and unexpected flood or (b) a cold drop of sweat (as in fear). The song, sung from Zuleta's point of view, describes the Colombian version of a rapper's feud: Zuleta and Lorenzo Morales, two famous accordeonistas, have been trash-talking each other, and the song details a musical battle, with the final line-- cuando me oyó tocar, le cayó la gota fría meaning roughly "and when he heard me play [the accordion], he felt cold drops of sweat." You can listen to Carlos Vives' version here The song is, as they say, based on a true story: Zuleta did have a musical feud with Morales, and did beat him at the yearly vallenato festival in Valledupar. Afterwards, Morales and Zuleta became fast friends and musical collaborators...
ASCENT CREDITS for individual pitches.
Most were done at various times with different groups of people.
First Continuous Free Ascent (5.11b A0 version) Dylan Connelly and Chris Stolz, July 11, 2010
P1 Myles Holt (aid), FA 5.11b version Ian Bennet, Oct 12 2009 (onsight!) FA 10d version Chris Stolz, June 2010
P2 Chris Stolz and Kasper Podgorski (aid), FFA Chris Stolz, Mike Blicker 4 Oct 2009
P3 Chris Stolz, Mike Blicker (aid), FFA Mike Blicker July 2010
P4 Chris Stolz, Mike Blicker (aid); FFA Chris Stolz, Mike Blicker 4 Oct 2009
P5 Dylan Connelly, Chris Stolz (aid)
P6 Chris Stolz, Dylan Connelly
P7 Dylan Connelly, Chris Stolz (aid)
P8 Chris Stolz, Dylan Connelly (aid), FFA Mike Blicker July 2010
P9 Dylan Connelly, Chris Stolz (aid), FFA Mike Blicker July 2010
P10 Mike Blicker
P11 Chris Stolz, Dylan Connelly
P12 Mike Blicker July 2010
P13 Chris Stolz, Dylan Connelly July 11, 2010
P14 Mike Blicker, July 2010
P15 Chris Stolz, Dylan Connelly, Mike Blicker July 2010
P16 Mike Blicker, July 2010
18p 5.11b A0 (5.12+)
Deputy Wall, Squamish, BC
FCA Dylan Connelly & Chris Stolz July 11, 2010; other pitches FA individually by Ian Bennett, Mike Blicker, Dylan Connelly, Chris Stolz
This long, mostly free route is characterised by excellent protection, good positions, a wide variety of good climbing and a superb finish. All pitches except #13 have bolted belays. The route is dry May-Sept. P3 and 5 can be easily French freed; P7 has a bolt-ladder bypass.
Thanks to Ian Bennet, Jeremy Frimer, Myles Holt, Kevin McLane, Tony McLane, Paul Cordy, Sebastian Mejia, Kasper Podgorski, Rob Owens, Ben Roy, Scott Semple, and our girlfriends Larisa O. and Jenn N.
THE SOUNDTRACK: Carlos Vives sings Emiliano Zuleta's "La Gota Fría"
GEAR: double Camalots from .3 to #3, 1x #4 and #5 1 Blue Aliens and/or TCU, nuts, long slings.
APPROACH: take the Sheriff's Badge trail. About 30 meters before the Philistine groove area, turn right (cairn and piece of shoelace hanging from tree branch). Head up a faint trail to a slab, go to climber's left up and around the slab, and head past bits of fixed ropes to a short, clean obvious v-groove beside which hangs a blue rope.
P1: 35m 5.11b or 5.10d Climb the obvious v-groove. Then, either
a) lieback the crack (11b) to the tree, another bolt, and the belay
b) go left, past 3 bolts (10d) to the tree, another bolt, and the belay
If P1's V-groove is wet, scramble up the short arete on its right side and step over (5.7)
P2: 5.9 40m Go up two meters to a ledge, right to a tree tree stump, and straight up into a flake-crack. Pass a tree, step right onto a ledge. Traverse right past bolts.
P3: 30m 5.11b Up the superb fingers-to-hands crack. Easily French-freed.
P4: 30m 5.10c Straight up the hand-and-fist crack to a ledge.
P5: 20m 5.9 A0 or 5.12c/d Straight up the perfect dihedral past bolts to a two-bolt belay. Very easily aided.
P6: 25m 5.4 Traverse the ledge right to a two-bolt belay.
P7: 25m 5.12+ Up and left into burly underclinging and jamming with sketchy feet on good gear to a bolted stance by an old fragment of tree. Airy, wild, sustained and superb. often wet.
P7 BYPASS: 45m A0 From the station atop P5, traverse along the Green Line Ledge and climb the bolt ladder that starts about 2/3 of the way across, straight up to the belay atop P7. Bring a #2 or #3 camalot for last move.
P8: 20m 5.11a Use bolts and trees to get to the base of an inverted V-slot, with a hanging flake in it. Then, either
a) do some crazed-ape moves involving funky stemming, put gear atop the flake then wildly mantle over the lip, to two bolts and left to the belay
b) do some exposed moves up and left, then pass finger and hand jams
P9: 25m 5.10a From an airy stance, up the nice corner.
P10 20m 5.5 Crap pitch: traverse right past a few bolts ans some trees and bushes then up to a belay at the base of a nice corner.
P11 25m 5.10b Climb the fine widening corner past 2 bolts to a ledge.
P12 5.10b 30m Cross to the right side of the ledge, then go up the left side of chimneyish blocks to a bolt. Go straight up past more bolts and gear, exit right, to a ledge.
P13 35m 5.10b Straight up to under the roof, then make a slabby traverse (one reachy move) left past bolts and a final short crack to a tree belay.
Traverse left through the forested ledge about 30m.
P14 25m 5.11a Climb a blocky right-trending feature to a crack in a shallow left-facing corner, then pass 4 bolts.
P15 25m 5.8 Climb up the left side of the huge yellow flake, then undercling left underneath the enormous roof through an awesome position to the bottom of the gigantic V-slot.
P16 45m 5.10c/d Climb up the right side of the massive V-slot through the steepening crack to a ledge, then up left through a couple of thin crack moves past one bolt to belay off a tree. A superb pitch in an awesome position in a cool feature.
P17 30m 5.8 From the top of the V-slot, make your way about 10m to climber's right to a 2-bolt belay. About 3m right of this, start up a very easy left-leaning crack. At the first tree, step up and right onto the slab and go up and slightly right. There is one .4 camalot placement, and just past a tiny overlap there is 1 bolt. Past this move up and right to a dirty crack, and belay off a lone tree on the left.
P18 30m 5.8 Make your way up any # of treed cracks or the slabby face to a two-bolt belay
Alternative end: from the bolted belay at the bottom of P17, follow the wooded crack up in a long leftward arc (58m) to the top-- a couple of 5.6 moves.
RETREAT: The route can be easily rappeled with one 60m rope from the top of P12. From the top of P8, rap straight down to the Green Line Ledge, then down and left to the top of P4. From the top of P2, rap 30m to a station, then 25m to the ground.
COMBINE PITCHES: Green Line Ledge and bolt ladder easily combine (40m)
P9 & 10 would be about 50 m, very easy; use long slings for rope drag at station atop P9
WHAT REMAINS...Connelly & Stolz freed "Fría Lite." "Fría Heavy" will involve freeing the P5 dihedral and the P7 "Wet Like Your Wife" overhanng.
THE ROUTE NAME: "La Gota Fría" is a song by Colombian vallenato master Emiliano Zuleta, and was famously covered by Carlos Vives. La gota fría literally means "a cold drop." Metaphorically, it means (a) a sudden and unexpected flood or (b) a cold drop of sweat (as in fear). The song, sung from Zuleta's point of view, describes the Colombian version of a rapper's feud: Zuleta and Lorenzo Morales, two famous accordeonistas, have been trash-talking each other, and the song details a musical battle, with the final line-- cuando me oyó tocar, le cayó la gota fría meaning roughly "and when he heard me play [the accordion], he felt cold drops of sweat." You can listen to Carlos Vives' version here The song is, as they say, based on a true story: Zuleta did have a musical feud with Morales, and did beat him at the yearly vallenato festival in Valledupar. Afterwards, Morales and Zuleta became fast friends and musical collaborators...
ASCENT CREDITS for individual pitches.
Most were done at various times with different groups of people.
First Continuous Free Ascent (5.11b A0 version) Dylan Connelly and Chris Stolz, July 11, 2010
P1 Myles Holt (aid), FA 5.11b version Ian Bennet, Oct 12 2009 (onsight!) FA 10d version Chris Stolz, June 2010
P2 Chris Stolz and Kasper Podgorski (aid), FFA Chris Stolz, Mike Blicker 4 Oct 2009
P3 Chris Stolz, Mike Blicker (aid), FFA Mike Blicker July 2010
P4 Chris Stolz, Mike Blicker (aid); FFA Chris Stolz, Mike Blicker 4 Oct 2009
P5 Dylan Connelly, Chris Stolz (aid)
P6 Chris Stolz, Dylan Connelly
P7 Dylan Connelly, Chris Stolz (aid)
P8 Chris Stolz, Dylan Connelly (aid), FFA Mike Blicker July 2010
P9 Dylan Connelly, Chris Stolz (aid), FFA Mike Blicker July 2010
P10 Mike Blicker
P11 Chris Stolz, Dylan Connelly
P12 Mike Blicker July 2010
P13 Chris Stolz, Dylan Connelly July 11, 2010
P14 Mike Blicker, July 2010
P15 Chris Stolz, Dylan Connelly, Mike Blicker July 2010
P16 Mike Blicker, July 2010
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